Showing posts with label travel illustration. Show all posts
Showing posts with label travel illustration. Show all posts

Tuesday, September 26, 2017

Venice



I returned to Venice this year for research on an upcoming book (2019!), and it was just as beautiful as always! It's such a magical and improbable city.


Nothing exemplifies this more than the elegant gondole that slide down the narrow canals and under the dozens of little bridges. Developed as a means of transportation through the shallow lagoon, these flat-bottomed boats have been a symbol of Venice for centuries.


Like the world's most elegant traffic jam, the gondole emerge from the tiny side canals into the bustling Grand Canal, twisting and pivoting with ease.


It's fascinating to watch the boats turn at fantastic angles, and watch the shapes distort and change so quickly with the leaning of the gondolino.


On the Grand Canal, they glide past elegant palaces in a dream-like cityscape that appears nearly unchanged since the Renaissance.


You can imagine, with not too much extrapolation, how incredible it would have been to look out from one of these palaces, with intricate pierced windows and marble mosaic walls and floors, as dozens of gondole and other boats passed by, with none of the speedboats or ferries of today. (This view is from the elegantly restored palace The Ca D'oro.)


As they continue down the Grand Canal, the towering Rialto Bridge emerges from around a bend. Replacing an ancient wooden bridge, the immense stone structure, completed in 1591, bends at a surprising angle over the water below.


As the Canal winds through the rest of the city, it finally emerges into the Venetian lagoon, crowned by Piazza San Marco.


Surrounded by the elegant colonnades of the Doge's Palace and the Venetian library, there is ornate and impressive architecture on all sides. The entire city is made up of overlapping influences from Turkish and Muslim sources, Gothic, and Roman architecture.


The Campanile soars above the Doge's Palace. It's hard to believe that this tower was built twice! Originally in 1549, and again after its collapse in 1912.


The square is surrounded by the endless Procuratie Vecchie and watched over by the elegant clocktower.


But nowhere exhibits Venice's eclectic architecture better than the incredible Basilica San Marco. With its patchwork of marble, columns, and influences plundered from the Byzantine and Roman empires alike, it eschews simplicity in favor of way-too-muchness. Crowned with Gothic, Byzantine, and Roman arches with glittering gold mosaics and elegant stone relief, it's hard to believe that it was once even showier with it's arched peaks covered in gilding.


If you get tired of the overwhelming architecture, the throngs of tourists (and occasional Venetians) make it a wonderful place or people-watching.


But really, who could get tired of that architecture?


For more of Evan Turk's travel illustration, check out the link below: 

Saturday, December 31, 2016

The last of 2016!


It's almost 2017 and this year has been quite a crazy one! Chris and I recently moved up to the Hudson Valley, so it's been a great period of adjustment getting used to the new house. With not quite as much time to draw, and no scanner hooked up until now, I decided to condense the last few months into one big finale for 2016!


This timeline also chronicles our slow descent into winter...These first drawings are from a lovely day of drawing with Audrey Hawkins back in September.



For the next couple months, each warm day felt like the last warm day we would ever have, so everyone, including me, was out trying to take advantage of the sunshine.



The city always feels so full on these warm days.


I loved this grouping of 2 mostly naked young people sunbathing next to a nun, all enjoying the park.


It still felt like summer until the sun went behind the buildings and everyone started putting their coats on over their sleeveless shirts.


A couple weeks later, as fall had begun to set in, Audrey, Chris and I had another nice day drawing out in Central Park.


The colors were beautiful, but the day not quite as luxurious as it had already started getting dark depressingly early.


Up in Croton-on-Hudson, I decided to grab a few hours on a warm day, in between renovating, to draw the new house before it got too cold. A huge and exciting project!


 In the Hudson Valley, summer was fading, but the fall leaves were just getting started.


It was so magical getting to see the leaves change and fall over the weeks, and watching how the light and colors changed.


Our friend and fellow artist Julia Sverchuk came up to visit and we went out to Fishkill Farm to enjoy a not-quite-so-warm fall day.




It was chilly, but people were still out and about, stretching their legs before the looming hibernation.


Chris and I went out for a brisk day up north drawing at Staatsburg State Historic Site, where we got married last June. The wind got a little intense on the river, so we made it a short day.


November brought the harrowing election (you can read more about my thoughts here) and less time drawing out in the cold.

And finally winter came with our first snow in the new house! The whole neighborhood looked like a Christmas card.


So now the year is almost over, and we have a strange new 2017 to anticipate. 2016 was definitely a year of change, but I am still hopeful for the new year.


Best wishes to all of you for the new year! See you in 2017!

Thursday, August 25, 2016

Italy: Venice

 

Venice! From the minute we stepped onto the water taxi at the Venice airport, it felt like we were wandering through a fairytale. It is a city so beautiful and improbable that it feels like it could have only been designed by artists.


Every view, archway, bridge, window, and pattern, is worthy of a painting, and becomes even moreso as the evening light begins to hit. Once I sat down to draw, I found it hard to focus on the reality of one view. The whole city felt more like a montage, with layers upon layers of beauty.


We decided to indulge in the romance of the city and stopped to have a cocktail in St. Mark's square at sunset, while a string quartet played behind us.



The whole city begins to feel like Venetian glass, where everything is reduced to layers of color, light, and pattern. As I was pondering the extravagant beauty of the scene, a seagull dropped a half-eaten pesto sandwich into my drawing bag. Ahh romance! Nice to be reminded that this place actually exits in reality.


People complain that Venice is touristy, but if anywhere deserves to have millions from all over the world come to visit, it's here.


And nothing captures the romance of Venice more than the gondolas. The tourist trade is a far cry from the days when the dramatically shaped boats were the main method of transportation. But the elegant sweep of black as it glides across the water is still a miraculous sight.




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This week central Italy experienced a devastating earthquake. If you appreciate these drawings and the beauty of Italy, please consider donating to help the relief effort:
Italian Red Cross
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This post is part of a series of travel illustration from a three week tour of Italy. For more of Evan Turk's travel illustration, check out the link below: 

Friday, August 19, 2016

DisneyWorld with Dalvero Academy!


I just got back from another great workshop in DisneyWorld with Dalvero Academy and instructors Veronica Lawlor and Margaret Hurst. It was 5 days of drawing, experimenting, and working all day on-location in the Magic Kingdom, Animal Kingdom, and EPCOT. Can't get enough!

Below are a few drawings and thumbnails:


The Victoria Crowned Pigeon in Animal Kingdom 


 People around the Magic Kingdom


EPCOT China


EPCOT Morocco


Harambe Village in Animal Kingdom


EPCOT Italy's Flag Throwers


Eating lunch in Animal Kingdom